Current issue

№ 3 (109) 2025

Mikhail Saponov. The Libretto which was in hot demand: Notes on the Translation of “Euridice” into Russian (pp. 1–16)

Anastasia Khlyupina. An Academy of Debt and Love: The Reform of the Paris Opéra, 1713–1714 (pp. 17–31)
 

Irina Gerasimova. Attribution of Zamarevich’s partessinging concertos according to the treatise “Musical Grammar” by Diletsky (pp. 22–31)
 

Abstracts and keywords of scholarly articles (p. 32)